Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A man rekindles his relationship regarding his former wife, which does not sit well with an additional woman who's obsessed with your pet. A recovering alcoholic school professor trying to put the life back together meets some sort of seductive new student. She offers him a sensual escape from reality till he realizes she could be insane.
We Belong Collectively, like most “That woman is crazy! ” films, doesn’t make said woman problematic figure but more so a generic replica of precisely what you’re already familiar with. 26-year-old Tracy has just got from jail and enrolled with a college in Los Angeles, maybe Sacramento, for reasons unknown. We’re never told her key or interest, just that the girl ends up in a Mythology glass ran by a Mr. Betty Lewis.
Someone who just recently received off a sabbatical they took due to his life falling apart. Yet, with him or her sober now and fixing the relationships he destroyed, he feels stable and maybe happy. That’s until Tracy, jealous of the closeness Jones has with his TA, Leslie, decides she wants him. Thus leading to a series of activities you can likely already imagine. Well, outside of the ending, which is a minor change from what we generally see.
Initially, I thought this was going to be like Only For A single Night in, despite the very low expectations for Draya Michele, the bar would be raised. That, in some ways, it was. But, I must admit, I don’t understand if it was her operating and how she played down Whitfield or because of simply how much Stoke plays on her splendor which leaves you breathless. For with the way We Belong Together is chance, you come to understand how Jones was seduced.
How, inspite of his mind saying no, temptation, over and over, wore down his morals and impression of right and wrong until he couldn’t assist but give in. Especially taking into consideration he was single, likely has not been with someone in months, maybe over a year, and it isn’t like the guy had any friends beyond his AA sponsor spectacular TA. Tracy (Draya Michele) trying to invite Thomas to have sex. Initially, I thought this is going to be like Only For One particular Night in, despite the low expectations for Draya Michele, the bar would be raised. Which, in some ways, it was. Yet, I must admit, I don’t realize if it was her operating and how she played down Whitfield or because of the amount Stoke plays on her attractiveness which leaves you enthralled.
For with the way All of us Belong Together is photo, you come to understand how Youngsters was seduced. How, regardless of his mind saying zero, temptation, over and over, wore along his morals and feeling of right and wrong until he couldn’t aid but give in. Especially thinking about he was single, likely hasn’t been with someone inside months, maybe over a year, and it isn’t like the man had any friends over and above his AA sponsor spectacular TA. But, as we endeavor into Tracy getting a little bit crazy, that is when Michele is apparently pushing herself past exactly where she is as an actress.
Which isn’t to say she can not play crazy, the way her eyes look in some views may give you pause, yet between her dialog, the particular performance, and the story?
There exists a strong vibe that when this particular film was made, they should get followed the policy regarding “Less is more. ” Critique They Could Have Made Tracy’s Reason behind Flipping Out Better The issue with damn near most films like this is they make the woman crazy without putting much, if any, onus on the man. And actually, yes Tracy did lay about quite a few things, yet there were multiple warning signs, while noted, that Thomas disregarded.
Some of which should have made it crystal clear, if you are going to have sex with this lady on the regular, be full-on intimate, you should come appropriate.
Yet, the film doesn’t really allow Tracy being someone complex and complicated. Her mental illness, currently often used in films like this, is just a quick and easy means to describe why she is acting the way she does. That also because, I guess, the d*** had been so bomb that the girl couldn’t allow someone to get involved the way of consistent appointments.
All of these seems like such lazy creating, since we see it frequently, that it takes away from almost everything Michele was doing in which made this seem like a good part for her.