Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A man rekindles his relationship along with his former wife, which does not sit well with an additional woman who's obsessed with him or her. A recovering alcoholic college or university professor trying to put his life back together meets the seductive new student. The lady offers him a sensuous escape from reality until eventually he realizes she may be insane.
We Belong Jointly, like most “That woman is crazy! ” films, does not necessarily make said woman an elaborate figure but more so the generic replica of just what you’re already familiar with. 26-year-old Tracy has just got outside of jail and enrolled in a college in Los Angeles, maybe Sacramento, for reasons not known. We’re never told her key or interest, just that the girl ends up in a Mythology a glass ran by a Mr. Thomas Lewis.
Someone who just recently got off a sabbatical they took due to his existence falling apart. Yet, with him sober now and restoring the relationships he ruined, he feels stable and perhaps happy. That’s until Tracy, jealous of the closeness Betty has with his TA, Leslie, decides she wants him. Thus leading to a series of occasions you can likely already reckon. Well, outside of the ending, the minor change from what we frequently see.
Initially, I thought this is going to be like Only For One particular Night in, despite the low expectations for Draya Michele, the bar would be raised. Which usually, in some ways, it was. Still, I must admit, I don’t realize if it was her performing and how she played away Whitfield or because of the amount Stoke plays on her splendor which leaves you gaping. For with the way Many of us Belong Together is chance, you come to understand how Youngsters was seduced.
How, regardless of his mind saying zero, temptation, over and over, wore along his morals and impression of right and wrong until he couldn’t help but give in. Especially thinking about he was single, likely has not been with someone within months, maybe over a 12 months, and it isn’t like the guy had any friends past his AA sponsor great TA. Tracy (Draya Michele) trying to invite Thomas to obtain sex. Initially, I thought it was going to be like Only For One particular Night in, despite the lower expectations for Draya Michele, the bar would be raised. Which, in some ways, it was. However, I must admit, I don’t recognize if it was her operating and how she played off Whitfield or because of simply how much Stoke plays on her splendor which leaves you entranced.
For with the way We Belong Together is chance, you come to understand how Betty was seduced. How, regardless of his mind saying no, temptation, over and over, wore lower his morals and sense of right and wrong until he couldn’t help but give in. Especially thinking about he was single, likely hasn’t been with someone within months, maybe over a season, and it isn’t like the dude had any friends past his AA sponsor and his TA. But, as we venture into Tracy getting a little bit crazy, that is when Michele seems to be pushing herself past exactly where she is as an actress.
That isn’t to say she caint play crazy, the way the girl eyes look in some scenes may give you pause, yet between her dialog, the actual performance, and the story?
There is a strong vibe that when this film was made, they should have got followed the policy associated with “Less is more. ” Judgments They Could Have Made Tracy’s Basis for Flipping Out Better The condition with damn near most films like this is they create the woman crazy without placing much, if any, onus on the man. And actually, yes Tracy did rest about quite a few things, however there were multiple warning signs, while noted, that Thomas overlooked.
Some of which should have made it crystal clear, if you are going to have sex with this lady on the regular, be full-on intimate, you should come correct.
Yet, the film will not really allow Tracy being someone complex and complicated. Her mental illness, as it is often used in films like this, is just a quick and easy means to clarify why she is acting the way in which she does. That and because, I guess, the d*** had been so bomb that this lady couldn’t allow someone to be in the way of consistent appointments.
All of which seems like such lazy publishing, since we see it so often, that it takes away from every thing Michele was doing that made this seem like a good purpose for her.