Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A man rekindles his relationship regarding his former wife, which won't sit well with yet another woman who's obsessed with him or her. A recovering alcoholic college professor trying to put his life back together meets a seductive new student. The lady offers him a sensuous escape from reality right up until he realizes she can be insane.
We Belong With each other, like most “That woman is crazy! ” films, will not make said woman an elaborate figure but more so any generic replica of exactly what you’re already familiar with. 26-year-old Tracy has just got from jail and enrolled with a college in Los Angeles, probably Sacramento, for reasons unidentified. We’re never told her key or interest, just that the girl ends up in a Mythology cup ran by a Mr. Thomas Lewis.
Someone who just recently acquired off a sabbatical they took due to his existence falling apart. Yet, with your pet sober now and fixing the relationships he damaged, he feels stable and perhaps happy. That’s until Tracy, jealous of the closeness Betty has with his TA, Leslie, decides she wants him or her. Thus leading to a series of events you can likely already reckon. Well, outside of the ending, which is a minor change from what we generally see.
Initially, I thought it was going to be like Only For One particular Night in, despite the very low expectations for Draya Michele, the bar would be raised. Which, in some ways, it was. But, I must admit, I don’t know if it was her acting and how she played off of Whitfield or because of the amount Stoke plays on her elegance which leaves you entranced. For with the way Many of us Belong Together is hit, you come to understand how Thomas was seduced.
How, regardless of his mind saying simply no, temptation, over and over, wore lower his morals and impression of right and incorrect until he couldn’t aid but give in. Especially contemplating he was single, likely hasn’t been with someone throughout months, maybe over a yr, and it isn’t like the man had any friends beyond his AA sponsor spectacular TA. Tracy (Draya Michele) trying to invite Thomas to possess sex. Initially, I thought this became going to be like Only For 1 Night in, despite the low expectations for Draya Michele, the bar would be raised. That, in some ways, it was. Yet, I must admit, I don’t know if it was her performing and how she played down Whitfield or because of just how much Stoke plays on her elegance which leaves you enthralled.
For with the way We Belong Together is photo, you come to understand how Betty was seduced. How, despite his mind saying absolutely no, temptation, over and over, wore down his morals and feeling of right and inappropriate until he couldn’t assist but give in. Especially thinking about he was single, likely hasn’t been with someone in months, maybe over a season, and it isn’t like the girl had any friends above his AA sponsor magnificent TA. But, as we endeavor into Tracy getting a tad crazy, that is when Michele is apparently pushing herself past wherever she is as an actress.
Which isn’t to say she can’t play crazy, the way the girl eyes look in some views may give you pause, however between her dialog, the particular performance, and the story?
There exists a strong vibe that when this kind of film was made, they should have got followed the policy involving “Less is more. ” Complaint They Could Have Made Tracy’s Basis for Flipping Out Better The condition with damn near almost all films like this is they create the woman crazy without placing much, if any, onus on the man. And mind you, yes Tracy did rest about quite a few things, but there were multiple warning signs, while noted, that Thomas disregarded.
Some of which should have made it very clear, if you are going to have sex with this girl on the regular, be full-on intimate, you should come appropriate.
Yet, the film doesn’t really allow Tracy being someone complex and complicated. Her mental illness, as it is often used in films like this, is just a quick and easy means to explain why she is acting the way she does. That and since, I guess, the d*** had been so bomb that the girl couldn’t allow someone to be in the way of consistent appointments.
Which seems like such lazy creating, since we see it frequently, that it takes away from almost everything Michele was doing that made this seem like a good role for her.