Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A person rekindles his relationship regarding his former wife, which will not sit well with yet another woman who's obsessed with your pet. A recovering alcoholic college or university professor trying to put their life back together meets the seductive new student. She offers him a sensual escape from reality until eventually he realizes she might be insane.
We Belong Jointly, like most “That woman is usually crazy! ” films, does not make said woman a complicated figure but more so any generic replica of exactly what you’re already familiar with. 26-year-old Tracy has just got outside of jail and enrolled at the college in Los Angeles, perhaps Sacramento, for reasons unknown. We’re never told her main or interest, just that the girl ends up in a Mythology wine glass ran by a Mr. Jones Lewis.
Someone who just recently obtained off a sabbatical this individual took due to his lifestyle falling apart. Yet, with your pet sober now and mending the relationships he demolished, he feels stable and possibly happy. That’s until Tracy, jealous of the closeness Jones has with his TA, Leslie, decides she wants him or her. Thus leading to a series of events you can likely already suppose. Well, outside of the ending, that is a minor change from what we usually see.
Initially, I thought this was going to be like Only For One particular Night in, despite the reduced expectations for Draya Michele, the bar would be raised. That, in some ways, it was. Still, I must admit, I don’t know if it was her operating and how she played away Whitfield or because of the amount Stoke plays on her splendor which leaves you gaping. For with the way We Belong Together is hit, you come to understand how Thomas was seduced.
How, inspite of his mind saying no, temptation, over and over, wore lower his morals and impression of right and incorrect until he couldn’t assist but give in. Especially taking into consideration he was single, likely has not been with someone throughout months, maybe over a year, and it isn’t like the girl had any friends above his AA sponsor and his TA. Tracy (Draya Michele) trying to invite Thomas to have sex. Initially, I thought it was going to be like Only For One particular Night in, despite the very low expectations for Draya Michele, the bar would be raised. Which often, in some ways, it was. But, I must admit, I don’t know if it was her behaving and how she played away Whitfield or because of just how much Stoke plays on her beauty which leaves you entranced.
For with the way We all Belong Together is hit, you come to understand how Jones was seduced. How, regardless of his mind saying no, temptation, over and over, wore lower his morals and perception of right and wrong until he couldn’t help but give in. Especially contemplating he was single, likely has not been with someone within months, maybe over a yr, and it isn’t like the girl had any friends above his AA sponsor great TA. But, as we venture into Tracy getting a tad crazy, that is when Michele is pushing herself past just where she is as an actress.
Which usually isn’t to say she can not play crazy, the way the woman eyes look in some views may give you pause, yet between her dialog, the actual performance, and the story?
We have a strong vibe that when this specific film was made, they should have got followed the policy regarding “Less is more. ” Criticism They Could Have Made Tracy’s Reason For Flipping Out Better The situation with damn near most films like this is they make the woman crazy without putting much, if any, onus on the man. And mind you, yes Tracy did sit about quite a few things, however there were multiple warning signs, because noted, that Thomas disregarded.
Some of which should have made it crystal clear, if you are going to have sex with this woman on the regular, be full-on intimate, you should come right.
Yet, the film does not really allow Tracy to be someone complex and difficult. Her mental illness, currently often used in films similar to this, is just a quick and easy means to clarify why she is acting how she does. That because, I guess, the d*** was so bomb that this lady couldn’t allow someone to get involved the way of consistent appointments.
Which seems like such lazy writing, since we see it so frequently, that it takes away from every thing Michele was doing that made this seem like a good function for her.