Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A man rekindles his relationship regarding his former wife, which will not sit well with an additional woman who's obsessed with the dog. A recovering alcoholic college or university professor trying to put their life back together meets a seductive new student. She offers him a sensuous escape from reality until eventually he realizes she can be insane.
We Belong Jointly, like most “That woman is crazy! ” films, will not make said woman an elaborate figure but more so a generic replica of just what you’re already familiar with. 26-year-old Tracy has just got away from jail and enrolled with a college in Los Angeles, probably Sacramento, for reasons unfamiliar. We’re never told her key or interest, just that the lady ends up in a Mythology glass ran by a Mr. Youngsters Lewis.
Someone who just recently received off a sabbatical he or she took due to his living falling apart. Yet, with the dog sober now and fixing the relationships he demolished, he feels stable and perhaps happy. That’s until Tracy, jealous of the closeness Youngsters has with his TA, Leslie, decides she wants your pet. Thus leading to a series of activities you can likely already suppose. Well, outside of the ending, the minor change from what we frequently see.
Initially, I thought this was going to be like Only For A single Night in, despite the low expectations for Draya Michele, the bar would be raised. Which often, in some ways, it was. Yet, I must admit, I don’t understand if it was her acting and how she played off of Whitfield or because of simply how much Stoke plays on her beauty which leaves you gaping. For with the way All of us Belong Together is shot, you come to understand how Youngsters was seduced.
How, inspite of his mind saying absolutely no, temptation, over and over, wore along his morals and sense of right and inappropriate until he couldn’t aid but give in. Especially taking into consideration he was single, likely hasn’t been with someone throughout months, maybe over a season, and it isn’t like the man had any friends past his AA sponsor great TA. Tracy (Draya Michele) trying to invite Thomas to get sex. Initially, I thought this is going to be like Only For One Night in, despite the low expectations for Draya Michele, the bar would be raised. Which often, in some ways, it was. However, I must admit, I don’t realize if it was her performing and how she played away Whitfield or because of the amount Stoke plays on her splendor which leaves you entranced.
For with the way We Belong Together is shot, you come to understand how Betty was seduced. How, in spite of his mind saying no, temptation, over and over, wore along his morals and perception of right and inappropriate until he couldn’t assist but give in. Especially thinking about he was single, likely hasn’t been with someone in months, maybe over a 12 months, and it isn’t like the dude had any friends over and above his AA sponsor and his TA. But, as we endeavor into Tracy getting a little bit crazy, that is when Michele seems to be pushing herself past just where she is as an actress.
That isn’t to say she can’t play crazy, the way the girl eyes look in some views may give you pause, however between her dialog, the particular performance, and the story?
There is a strong vibe that when this specific film was made, they should get followed the policy associated with “Less is more. ” Judgments They Could Have Made Tracy’s Basis for Flipping Out Better The issue with damn near all films like this is they make the woman crazy without putting much, if any, onus on the man. And mind you, yes Tracy did lay about quite a few things, but there were multiple warning signs, as noted, that Thomas overlooked.
Some of which should have made it crystal clear, if you are going to have sex with this woman on the regular, be full-on intimate, you should come proper.
Yet, the film does not really allow Tracy to get someone complex and complicated. Her mental illness, currently often used in films like this, is just a quick and easy means to describe why she is acting the way she does. That and since, I guess, the d*** ended up being so bomb that this lady couldn’t allow someone to get involved the way of consistent appointments.
All of these seems like such lazy writing, since we see it sometimes, that it takes away from almost everything Michele was doing which made this seem like a good function for her.