Director: Chris Stokes
Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Runtime: 180 minutes
A man rekindles his relationship with his former wife, which won't sit well with another woman who's obsessed with him. A recovering alcoholic college or university professor trying to put his or her life back together meets a seductive new student. This lady offers him a sensuous escape from reality until he realizes she could be insane.
We Belong Together, like most “That woman is crazy! ” films, will not make said woman a complicated figure but more so any generic replica of precisely what you’re already familiar with. 26-year-old Tracy has just got away from jail and enrolled at the college in Los Angeles, maybe Sacramento, for reasons unidentified. We’re never told her key or interest, just that the girl ends up in a Mythology a glass ran by a Mr. Thomas Lewis.
Someone who just recently acquired off a sabbatical this individual took due to his life falling apart. Yet, with your pet sober now and fixing the relationships he destroyed, he feels stable and possibly happy. That’s until Tracy, jealous of the closeness Jones has with his TA, Leslie, decides she wants him or her. Thus leading to a series of events you can likely already guess. Well, outside of the ending, the industry minor change from what we usually see.
Initially, I thought it was going to be like Only For A single Night in, despite the low expectations for Draya Michele, the bar would be raised. That, in some ways, it was. But, I must admit, I don’t know if it was her performing and how she played off of Whitfield or because of just how much Stoke plays on her beauty which leaves you enthralled. For with the way Many of us Belong Together is shot, you come to understand how Jones was seduced.
How, regardless of his mind saying no, temptation, over and over, wore along his morals and feeling of right and incorrect until he couldn’t support but give in. Especially contemplating he was single, likely hasn’t been with someone throughout months, maybe over a year, and it isn’t like the man had any friends beyond his AA sponsor and his TA. Tracy (Draya Michele) trying to invite Thomas to possess sex. Initially, I thought this is going to be like Only For One Night in, despite the lower expectations for Draya Michele, the bar would be raised. Which often, in some ways, it was. But, I must admit, I don’t understand if it was her behaving and how she played down Whitfield or because of the amount Stoke plays on her splendor which leaves you enthralled.
For with the way Many of us Belong Together is photo, you come to understand how Jones was seduced. How, regardless of his mind saying absolutely no, temptation, over and over, wore lower his morals and perception of right and wrong until he couldn’t support but give in. Especially considering he was single, likely has not been with someone within months, maybe over a year, and it isn’t like the man had any friends over and above his AA sponsor spectacular TA. But, as we enterprise into Tracy getting a little bit crazy, that is when Michele seems to be pushing herself past just where she is as an actress.
Which isn’t to say she cannot play crazy, the way the girl eyes look in some moments may give you pause, yet between her dialog, typically the performance, and the story?
There is a strong vibe that when this particular film was made, they should get followed the policy involving “Less is more. ” Complaint They Could Have Made Tracy’s Basis for Flipping Out Better The issue with damn near just about all films like this is they generate the woman crazy without adding much, if any, onus on the man. And mind you, yes Tracy did rest about quite a few things, nevertheless there were multiple warning signs, as noted, that Thomas avoided.
Some of which should have made it very clear, if you are going to have sex with this woman on the regular, be full-on intimate, you should come appropriate.
Yet, the film does not necessarily really allow Tracy to get someone complex and challenging. Her mental illness, currently often used in films such as this, is just a quick and easy means to describe why she is acting the way in which she does. That and because, I guess, the d*** had been so bomb that the girl couldn’t allow someone to be in the way of consistent appointments.
All of which seems like such lazy creating, since we see it sometimes, that it takes away from every little thing Michele was doing that made this seem like a good function for her.