We Belong Together Film Review

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Director: Chris Stokes

Writers: Chaz Echols, Marques Houston 

Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming

Rating:    NR

Genre: Drama

Runtime: 180 minutes

 

Men rekindles his relationship with his former wife, which does not sit well with an additional woman who's obsessed with him. A recovering alcoholic school professor trying to put the life back together meets a seductive new student. This lady offers him a fragile escape from reality till he realizes she could be insane.

We Belong With each other, like most “That woman is crazy! ” films, will not make said woman problematic figure but more so any generic replica of exactly what you’re already familiar with. 26-year-old Tracy has just got outside of jail and enrolled at the college in Los Angeles, maybe Sacramento, for reasons unfamiliar. We’re never told her key or interest, just that the girl ends up in a Mythology a glass ran by a Mr. Thomas Lewis.

Someone who just recently got off a sabbatical they took due to his life falling apart. Yet, with your pet sober now and restoring the relationships he ruined, he feels stable and possibly happy. That’s until Tracy, jealous of the closeness Youngsters has with his TA, Leslie, decides she wants him or her. Thus leading to a series of events you can likely already suppose. Well, outside of the ending, which is a minor change from what we frequently see.

Initially, I thought it was going to be like Only For A single Night in, despite the very low expectations for Draya Michele, the bar would be raised. That, in some ways, it was. Yet, I must admit, I don’t recognize if it was her operating and how she played off of Whitfield or because of the amount Stoke plays on her elegance which leaves you breathless. For with the way We all Belong Together is photo, you come to understand how Betty was seduced.

How, despite his mind saying no, temptation, over and over, wore straight down his morals and impression of right and inappropriate until he couldn’t aid but give in. Especially thinking about he was single, likely hasn’t been with someone in months, maybe over a 12 months, and it isn’t like the man had any friends over and above his AA sponsor great TA. Tracy (Draya Michele) trying to invite Thomas to get sex. Initially, I thought it was going to be like Only For One Night in, despite the low expectations for Draya Michele, the bar would be raised. Which often, in some ways, it was. But, I must admit, I don’t know if it was her performing and how she played off of Whitfield or because of simply how much Stoke plays on her beauty which leaves you enthralled.

For with the way We all Belong Together is shot, you come to understand how Youngsters was seduced. How, despite his mind saying absolutely no, temptation, over and over, wore along his morals and impression of right and incorrect until he couldn’t help but give in. Especially thinking about he was single, likely hasn’t been with someone in months, maybe over a year, and it isn’t like the dude had any friends above his AA sponsor spectacular TA. But, as we opportunity into Tracy getting a bit crazy, that is when Michele is pushing herself past where she is as an actress.

Which usually isn’t to say she cannot play crazy, the way the girl eyes look in some scenes may give you pause, nevertheless between her dialog, the performance, and the story?

You will find a strong vibe that when this specific film was made, they should have followed the policy of “Less is more. ” Judgments They Could Have Made Tracy’s Basis for Flipping Out Better The problem with damn near most films like this is they generate the woman crazy without putting much, if any, onus on the man. And mind you, yes Tracy did lie about quite a few things, yet there were multiple warning signs, because noted, that Thomas disregarded.

Some of which should have made it very clear, if you are going to have sex with this girl on the regular, be full-on intimate, you should come appropriate.

Yet, the film doesn’t really allow Tracy to get someone complex and challenging. Her mental illness, as it is often used in films like this, is just a quick and easy means to explain why she is acting how she does. That and since, I guess, the d*** had been so bomb that the lady couldn’t allow someone to be in the way of consistent appointments.

All of these seems like such lazy publishing, since we see it so frequently, that it takes away from every thing Michele was doing which made this seem like a good role for her.